Love can be a moment’s madness. In Drake Doremus’ melancholy
drama, idealistic English college student Anna (Chalet Girl’s Felicity Jones) foolishly overstays her US visa after
falling hard for charming Californian carpenter Jacob (Fright Night’s Anton Yelchin). When they’re separated, with Anna
banned from entering America, what follows is an agonising study of a
relationship in freefall.
Their initial
courtship adeptly captures those intoxicating, butterflies-in-the-tummy moments
of first love, all intimate close-ups of reticent half-smiles and hopeful
glances. Yet, just as giddy, giggly flirtation gives way to heart-wrenching
transatlantic yearning, months, then years parted by red tape sees their
wide-eyed romantic innocence slowly disintegrate into awkward, frustrated
uncertainty.
There are brief,
blissful vacation reunions, but through all the stop-starting, the young lovers
discover it’s difficult to simply press pause on life. Throughout, Doremus’
astute mise en scene gradually widens the literal space between the couple, sat
separately on public transport, or strolling yards apart following a lover’s
tiff, reflecting the growing rift in their hearts.
Time, too, is
presented as fleeting, with one impressively edited visual sequence seeing the
twosome’s rapturous ‘summer in bed’ pass by in a depressing matter of seconds.
Jones and Yelchin
deliver commandingly mature performances, authentically encapsulating the
fatigue of their star-crossed union. When Jacob has Anna’s beloved writing
chair shipped to London as a surprise, Jones’ muted, half-hearted enthusiasm is
so perfectly measured, you can practically see the passion begin to dissipate.
Similarly, Yelchin plays wounded very well, his forlorn, puppy dog eyes
effectively communicating Jacob’s inner anguish.
Reminiscent of Derek
Cianfrance’s similarly morose Blue
Valentine, it is a brutal, affecting watch, though Jacob’s refusal to
simply move to London makes Anna’s infatuation difficult to swallow. Although
the couple’s blind naïvete may occasionally make you feel like knocking their
heads together, this is a sober, bittersweet picture for anyone who’s ever been
heartbroken.
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